Feihong Yannian Teapot

The Feihong Yannian teapot traces its lineage to a design by Chen Mansheng of the Qing dynasty, inspired by a Han‑dynasty “Flying Swan Longevity” eave tile. Later, during the Guangxu era, potter Jin Shiheng introduced a distinctive wave band around the shoulder. This replica continues that innovative spirit. The most striking feature is the rippling wave band just below the mouth, evoking swan wings in flight – instantly enlivening the classic form. The body is full and rounded, comfortable in hand. The straight spout points upward; the flush (qian) lid fits perfectly, engraved with the characters “Yannian” (longevity) and a pair of wings – directly referencing the theme. The flattened handle pairs harmoniously with the bridge knob. The base is a small, slightly concave flat bottom. Carvings on the body are particularly refined: the front replicates a Han‑style “Flying Swan Longevity” eave tile inscription, full of epigraphic character; the back reads: “This pot copies the Han ‘Flying Swan Longevity’ eave tile inscription, thus renamed ‘Yannian Hu’. Made in antique style.” – clearly explaining the pot’s origins and design concept.

• ▸ Wave band (波浪纹) Inspired by Jin Shiheng’s modification, the undulating line below the mouth resembles a swan taking flight – breaking the traditional silhouette with dynamic rhythm.
• ▸ Full, rounded body Comfortable to hold, with a balanced proportion – neither too plump nor too slender.
• ▸ Straight spout & flattened handle The spout rises assertively; the handle is slightly flattened for a secure grip, visually echoing the bridge knob.
• ▸ Flush lid with “Yannian” and wings The lid fits seamlessly, engraved with the longevity characters and a pair of wings – a direct nod to the “flying swan” theme.
• ▸ Epigraphic carvings The front replicates a Han‑dynasty eave tile inscription, full of archaic stone‑drum texture. The back explains the pot’s origin in clear script, adding scholarly value.
• ▸ Qingduan clay This fine Duan clay fires to a warm pale greenish‑beige with subtle sand grains, offering excellent porosity for oolongs, yancha, and pu’er.