Lianban Zhuquan Teapot

At first touch, this teapot feels refined and more delicate than expected. The most striking feature is the lid: six lotus petals radiate from the center, evenly distributed across the entire surface. Each petal’s veining is clearly defined – no ambiguity. A small, round flat‑pearl knob tops the lid, perfectly scaled. The body shape is wider at the shoulder and tapers downward, with smooth, natural transitions from top to base. The highlight is a bamboo ring encircling the mid‑body – its texture is crisp and three‑dimensional, as if a real bamboo segment were hugging the teapot, capturing the intimacy of bamboo. The short neck is clean, paired with a short, straight spout – compact and efficient. What makes this teapot exceptional is its simplicity without being plain. No elaborate carvings – the beauty relies on the clay’s natural texture and the appliqué motifs that harmonize perfectly with the form. The lotus petals on the lid and the bamboo ring on the body echo each other, creating a quiet, unpretentious elegance.

• ▸ Lotus petal lid Six evenly spaced petals radiate from the center, each with clearly defined veining. The flat‑pearl knob is small and round, complementing the floral theme.
• ▸ Bamboo ring body A continuous bamboo segment wraps around the middle of the teapot, with crisp, three‑dimensional nodes. It feels like a real bamboo ring embracing the vessel – capturing the spirit of bamboo with precision.
• ▸ Tapered silhouette The body is wider at the shoulder and gradually narrows toward the base, creating a graceful, flowing line from top to bottom – no abrupt transitions.
• ▸ Short neck & straight spout The short neck is neat; the short, straight spout is compact and efficient, ensuring a clean pour.
• ▸ Simplicity without plainness No overdone carvings. The teapot relies on the clay’s natural texture and the well‑placed appliqué decorations – each element supports the overall form, achieving a restrained, scholarly elegance.
• ▸ Qingduan clay character This Duan clay fires to a warm pale greenish‑beige with subtle sand grains. It develops a soft, matte patina – ideal for oolong, yancha, and raw pu’er.